Luciane Ramos Silva is a dancer, choreographer, anthropologist and cultural organizer.
She holds a BA in Social Sciences from the University of São Paulo (USP, 2002), an MA in Social Anthropology and African Studies from University of Campinas (UNICAMP, 2008) and a doctorate in Performing Arts/Dance from UNICAMP researching the notions of coloniality in dance , pedagogial approaches and south-south relations through the biography of the Senegalese choreographer Germaine Acogny, founder of Ecole des Sables.
She is the 2003 recipient of the David C. Driskell Center for the Study of the African
Diaspora Award (2003). With this award, she initiated and developed movement and training focusing on blackness and the body in African and African Diasporic communities.
Luciane was a guest at the Conference/Festival “Tellling our stories about home” at University of North Carolina in 2016 where she participated as a lecturer, teacher and performer at the Sonja Haynes Stone Center. She also had the opportunity to teach at Duke University hosted by Professor Thomaz de Frantz at the dance department. In 2015 she presented her research-solo-in progress at Red Pop Art House, in San Francisco, California, oriented by the artist Amara Tabor-Smith
As a performing artist, she has performed as a soloist in venues throughout Brazil. Her solo “Eyes at my back and a smile at the corner of my lips” (2015/2016) was presented in North Carolina and Sao Francisco. She is the Artistic Director of the São Paulo-based performance group Diaspóros Coletivo das Artes. She leads regular dance trainings based on multi-corporealities and decolonized gesture of the Black diaspora at Sala Crisantempo in São Paulo, and has trained a variety of Brazilian dance and theater companies including Nucléo Luis Ferron, Os Crespos , Coletivo Negro. Morena Nascimento Company, Fragmento Urbano e Cia Sansacroma – all of them with the approach of the idea of coloniality of gesture.